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vahram davtyan
1961 Né à Vanadzor, Arménie.
1986 P. Terlemezian Art College, Erevan.
1992 Erevan Fine Art Theatrical Institute.
"...In the conceptual basis of my creations is the mankind's estranging from nature, the ideas and studies of their relationships, anxiety and optimism.
Man was classified, by Lord, as the sovereign of nature, and because of his restless soul he began to stubbornly change that trusted world and reorder for his pleasures and comfort, mechanizing it, which led him to the estranging of the soul, and separated him from nature. After all, Man is able to merge into nature or into the Tao in a perpetual act of purification. If Man does not reach the Absolute, he is nonetheless perpetually trying to. My white characters, as symbols of light of the holly, can, at any time, come out of their state of wax statuettes or sculptures and live in harmony with nature in a universal whole, as they can participate in the movement of life, full of color and vitality.
It is not substantial in which appearance I present people, they are above time and in their essence they have stayed the same even in our times..."
1986 P. Terlemezian Art College, Erevan.
1992 Erevan Fine Art Theatrical Institute.
"...In the conceptual basis of my creations is the mankind's estranging from nature, the ideas and studies of their relationships, anxiety and optimism.
Man was classified, by Lord, as the sovereign of nature, and because of his restless soul he began to stubbornly change that trusted world and reorder for his pleasures and comfort, mechanizing it, which led him to the estranging of the soul, and separated him from nature. After all, Man is able to merge into nature or into the Tao in a perpetual act of purification. If Man does not reach the Absolute, he is nonetheless perpetually trying to. My white characters, as symbols of light of the holly, can, at any time, come out of their state of wax statuettes or sculptures and live in harmony with nature in a universal whole, as they can participate in the movement of life, full of color and vitality.
It is not substantial in which appearance I present people, they are above time and in their essence they have stayed the same even in our times..."
exhibitions :
1993 50 Anos Sovietico, Madrid.1996 A.G.B.U. Demirdjian Center, Lebanon / Gallery of M'ARS, Museum, Moscou / ARCO-96
Exposition Internationale, Madrid / PISO 3 Centre Culturel Borges, Buenos Aires.
1997 The New Academy & Business Art Galleries, Londres / Primavera, Punta Del Este, Uruguay
/ Noah's Ark Art Gallery, Beirut.
1998/99/00/01 ARTUEL, Salon International d'Art Contemporain, Beirut.
1998 Caribe Galeria de Arte, Sao Paolo / Expo «Année Internationale des Océanes», UNESCO.
1999 Noah's Ark Art Gallery, Beirut / Gallery of M'ARS Museum, Moscou / Galerie d’Hôtel
Renaissance, Dubai.
2000 Foire d'Art Reggio, Piombino, Florence, Turin / Centre Culturel de Prélature Arménien,
Nicosia / Musée “CILICIA”, Antelias, Lebanon.
2001 EUROP'ART, V-e Salon International d'Artistes Contemporanis, Barceiona / Immagina
Mostra Mercato di Arte Contemporanea, Livorno (Italie) / EUROP'ART 2002,Internationale
Kunstmesse, Genève / Salon of National Academy of Sciences of Armenia, Yerevan.
2002 Museo d'Arte Moderna, Rapolano Serre (Italie) / Noah's Ark Art Gallery, Beirut.
2004 Art Philadelphia 2004, Pennsylvania Convention Center, Philadelphia.
2005 Karly Residence, Beirut.
2006 Art Expo Montreal, Festival International, Montreal.
2007 Arteclasica 2007, 4th Feria de Arte Contemporaneo y Clasico, Buenos Aires / Galerie Dom
Nashchokina, Moscou / A.G.B.U. Cultural Center, Montreal.
2008 International Art Expo 30 NYC.Jacob Javits Convention Center, New York / Bel-Air Fine Art,
Genève / Galerie Porta 34, Saint Barth, F.W.I.
MUSEUMS
M'ARS Modern Art Museum, Moscou.
OAC, Spiritual Modern Art Museum of Crete, Grèce.
Centre International de l'Art Fantastique, Château de Gruyeres (Suisse).
State Museum of Alma-Ata, Kazakhstan.
Paul G. Modern Art Museum, Beirut.
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